The operatic equivalent to dramatic dialogue is a(n ) an aria. The operatic equivalent of a soliloquy or meditation is a(n ) Suite. A set of dances collected from an opera or ballet is called a. stylized dances. Pieces written in the form or style of dance music but meant for listening, not dancing, are.
3/7/2011 · The operatic equivalent to dramatic dialogue is called….? The operatic equivalent to dramatic dialogue is called…. Answer Save. 3 Answers. Relevance. bjk1961. Lv 7. 10 years ago. Favorite Answer. Recitatives are the sung dialogue of the opera . rec·i·ta·tive [res-i.
Question 1 1 / 1 pts The operatic equivalent of dramatic dialogue is a(n ): aria. theme. Correct! recitative. arioso. Question 2 1 / 1 pts Opera began in: London around 1500. Rome around 1450. Paris around 1200. Correct! Florence around 1600.
Correct Answer: Florenc e. Question 4 2.5 out of 2.5 points In the opera The Coronation of Poppea, the central character Poppea is: Selected Answer: the mistress of the Roman Emperor Nero Correct Answer: the mistress of the Roman Emperor Nero Question 5 2.5 out of 2.5 points The operatic equivalent to dramatic dialogue is a(n ): Selected Answer …
The operatic equivalent to dramatic dialogue is a(n ): 32. A Baroque composition that treats one melody imitatively is called a: 33. In the history of music the period from 1600 to 1750 is known as the ____ period. 34. Who are the two most important composers of the late Baroque period? 35.
The operatic equivalent to dramatic dialogue is a. Recitative. An aria is. An extended piece for a solo singer having more musical elaboration and a steadier pulse than recitative. Which is not one of the three main sources of instrumental music. The church.
Used above all in opera , the aria is a test of the singer’s voice. Ballad opera : form of opera combining spoken dialogue , dance and popular songs reworking the airs of old ballads. A typical example of this style much liked in England in the 18th century is John Gay’s The Beggar’s Opera (1728). The German equivalent is the Singspiel.
Operatic ‘realism’, a style popular in Italy in the 1890s, which tried to bring naturalism into the lyric theater. Verismo In 19th century Italian opera , it stands between aria and recitative, though it normally occurs within the context of a closed number such as an aria or ensemble
